On the base of Gambiered Canton silk, the print is quiet, as if time itself has been dyed into its colors. The Chinese style cross collar the overlapping of left and right carries the memory of Han and Tang dynasties. The Japanese style interlocking the穿插 of lines speaks the aesthetic of Ma the beauty of restraint and blank space. These two structures meet at the neckline. Not a patchwork, but a conversation like wind passing through two bamboo forests, their sounds different, yet both belonging to the same East.
This garment can be worn as a robe, loosely wrapping the body, or tied as a skirt, letting the lines fall softly along the silhouette. One structure, two faces. It does not define itself. It leaves the choice to the one who wears it.
On the base of Gambiered Canton silk, the print is quiet, as if time itself has been dyed into its colors. The Chinese style cross collar the overlapping of left and right carries the memory of Han and Tang dynasties. The Japanese style interlocking the穿插 of lines speaks the aesthetic of Ma the beauty of restraint and blank space. These two structures meet at the neckline. Not a patchwork, but a conversation like wind passing through two bamboo forests, their sounds different, yet both belonging to the same East.
This garment can be worn as a robe, loosely wrapping the body, or tied as a skirt, letting the lines fall softly along the silhouette. One structure, two faces. It does not define itself. It leaves the choice to the one who wears it.
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